With the five stage layout the narrative becomes more comprehensive. However its essential to remember films need to be seamless as the chain of events unfold, with all the questions raised answered and all the loose ends tied up unless you want to break the conventions, induce a cliff hangar, intentionally create doubt in the minds of the audience and leave them questioning.
Even though these stages are presented here as a linear structure there is no golden rule that it has to be this way, especially if you wish to create a non-linear structure. Should you wish to you can always muddle up the chronological order and have the end at the begining. Remember a film should have clear goals with believable chararcters if its to maintain a sense of credibility and to help keep the audience captivated.
In this quote from a 'longroadfilm' blog, the sections highlighted yellow are the conventions that Todorov's theory explains, where those in green and in purple are oppositions to the conventions. Breaking these conventions is what we plan to do in our opening sequence by beginning at the point of disequilibrium to "leave the[ audience] questioning"- and therefore eager to watch the rest of the film!
"Narratology" is a term coined by Tzvetan Todorov in 1969, and generally refers to the structuralist analysis of narrative. In this process, the narrative is divided into its constituent parts in order to determine their function(s) and relationships. Here "story" refers to what is narrated (usually a chronological sequence of events) and "plot" refers to the logical and causal structure of a story, explaining why its events occur. The term discourse is used to describe the stylistic choices that determine how the narrative text or performance finally appears to the audience.
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